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Igor by Tom Holt
"More power!" roared the Baron.
Fearfully, Igor obeyed, throwing his weight against the huge lever
and driving it forward. Livid blue sparks like fat, sizzling worms
cascaded from the contacts. Somewhere a fuse overloaded, but the
failsafes and backups cut in immediately; a fine piece of work,
though the Baron said it himself, continuity of power supply
guaranteed no matter how recklessly he abused the system. He bent
down over the Thing strapped to the bench and peered hungrily at the
dials on the control panel.
"More power," he repeated.
Igor's eyes widened like an opening flower in stop-motion. "The
resistors," he screeched. "They're at breaking point as it is. They
just can't take any more!"
Oh well, muttered Igor to himself, he's the boss, presumably he
knows what he's doing. And if he doesn't - well, in years to come
Katchen and the children would take a picnic up to the ruined tower
on the top of the mountain, and Katchen would bring them into the
burnt-out shell of the laboratory and point to a man's silhouette
appliqued onto the flagstones and say, "See that? That's your Uncle
Igor." Immortality, of a sort. And it was better than working in the
He edged forward the lever, and at first nothing happened. Then
somewhere behind the massive screen of lead bricks, something began
to hum, and a moment later a tremendous surge of power began to
burgeon and swell, like the wave of a surfer's lifetime on Bondi
Beach. Little silver beads of molten lead glistened like dewdrops in
the interstices of the shield.
A few inches away from the Baron's nose, the needle on a dial
suddenly quivered. "More power!" he roared, slamming both fists down
on the console and sending his coffee-mug (a birthday-present from
Igor, thoughtfully inscribed World's Best Boss) flying to the floor.
Igor closed his eyes, mumbled the first four words of the Ave Maria,
and thrust the lever all the way home.
Raw power sprayed out of the circuits like fizzy lemonade from a
shaken-up bottle. One of the minor transtator coils dissolved
instantaneously into a glowng pool of molten copper; but the backup
took the load, and the meter hardly wavered. You could have boiled a
kettle on top of the main reactor housing, if you didn't mind
drinking luminous green tea.
"Yes!" thundered the Baron. "Igor, it..."
Before he could say exactly what, a gunbarrel-straight shaft of
blue fire burst from the mighty lens poised a few feet above the
bench and enveloped the Thing completely. The Baron screamed and
threw himself at the fire-shrouded form, trying to beat out the
flames before they utterly consumed his creation; but before he even
made contact, a tremendous force hauled him off his feet and slammed
him against the far wall. Igor ducked under a table as a cyclone of
distilled energy ripped circuit-boards and clamps and conduits out of
the benches and juggled them in a spinning maelstrom of blinding heat
and light around the glowing outline of the Thing. It was incredible,
awesome, terrifying; Spielberg let loose in the effects laboratory
with a blank cheque signed by God.
Then, as suddenly as it had begun, it was over. All the lights
snapped out and the laboratory was shrouded in darkness, except for
an ice-cold blue glow from the bench where the Thing had been. The
smoke cleared, and there was silence except for the sizzle- plink of
molten copper slowly cooling.
"Baron? Are you all right?"
Cautiously, both men stood up and stared at the bench and the
source of the unearthly blue light. "Did you see what happened,
Igor?" the Baron whispered. "That fire... Is there anything left?"
Igor shrugged. "Search me," he said, "I was hiding."
Together they approached the bench. The blue fire danced on the
scarred surface of the oak like the brandy flare on a Christmas
pudding, and in the heart of the glow, where the Thing had been,
there was a shape; humanoid, certainly, with the correct number of
limbs and in more or less the right proportions, but...
"My God," whispered the Baron. "Igor, what have we done?"
"What d'you mean, we?" Igor whispered back. "I just work here, remember?"
Where there had been a seven foot frame of carefully-selected
muscle and bone, painstakingly put together from raw materials taken
from the finest mortuaries in Europe, there was now a short, stocky
child-shaped object with a small, squat body, sticklike arms and
legs and a head that was too large for the rest of the assembly. It
was wearing brightly- coloured dungarees, an Alpine hat with a
feather in it and shiny black shoes. It was made of wood and had a
perky expression and a cute pointy nose.
"It's a puppet," the Baron growled.
"So it is," Igor replied, trying to keep the grin off his face and
out of his voice. Despite all the melodrama of the last half hour, he
couldn't help liking the little chap.
"A puppet," the Baron repeated. "A goddamned wooden puppet. What in
hell's name am I supposed to do with that?"
Igor coughed respectfully. "If you don't want it for anything,
Baron," he said, "my little nephew Piotr'd love it for his birthday."
"A pup - " The baron broke off in mid-snarl. The puppet had winked
at him. "Did you see that?" he gasped.
"See what, boss?"
"It winked at me."
Igor craned his neck to see. "You sure, boss?" he said. "Can't say
I saw anything myself."
"It moved, I'm sure of it." The Baron sat down heavily on the shell
of a burnt-out instrument console. "Or maybe the radiation's addled
my brains. I could have sworn..."
"Hello," said the puppet, sitting up at an angle of precisely
ninety degrees. "Are you my daddy?"
The Baron made a curious noise; wonder, triumph and deep disgust,
all rolled upin one throaty grunt. "It's alive," he croaked. "Igor,
do you see? It's alive."
"Oh sure," Igor replied. "We got ourselves a walking, talking,
moving, breathing, living doll." He closed his eyes and opened them
again. "When you go back and tell the investors about this, I want to
be there. Can I have your lungs as a souvenir?"
"You're my daddy," said the puppet. "I love you. My name's
Pinocchio and I'm going to live with you for ever and ever."
The Baron groaned and buried his face in his hands; which surprised
the puppet, because he'd imagined his daddy would be pleased to see
him. A safe assumption to make, surely? Maybe not. There was so much
about this wonderful new world he didn't know, and wouldn't it be fun
Deep inside his wooden brain, a tiny voice was squeaking Hang on,
this isn't right, it isn't fair, let me out! But the grain of the
wood soaked up the last flickers of neural energy, and the dim spark
drenched away into the cold sap. "My name is Pinocchio," the puppet
repeated; and if its nose grew longer by an eighth of an inch or so,
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Quote from Who's Afraid of Beowulf?
`I'm an archaeologist,' said Hildy. `I dig up the past.'
The King raised an yeybrow. `You mean you refresh old quarrels and keep alive old grievances? Surely not.'
`No, no,' said Hildy, `I dig up ancientthings buried in the earth. Things that belonged to people who lived hundreds of years ago.' As she said this, she began to feel uncomfortable.She had forgotton about the brooch.
`Do you really?' said the King. 'We used to call that grave-robbing.'
| (Tom Holt, "Who's Afraid of Beowulf?")|
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All stories/filksongs is written by Tom Holt, and not by me.
This is a fan-page about Tom Holt, made by me,
Tom Holt is in no way responsible for whatever I put up or write here.